Modified: ___ (2019) – for solo viola and electronics, written for Aaron Michael Smith.
Consisting of Two (2017) – for solo flute, commissioned by Hungarian flutist, Gergely Ittzés, premiered at Boston University.
Gletscher (2016) – for solo violin, commissioned by the International Foundation for Contemporary Music, premiered at the Julliard School by Isabel Ong.
Hubris (2015) – for solo male voice, premiered at the Cortona Sessions.
Naming Shadows (2015) – etude for solo bassoon, realized by Chris Watford.
Murmuration (2018) – for 8 basses, premiered by the Boston University bass studio.
Automaton (2018) – for string quartet, premiered by the JACK Quartet at Boston University.
String Quartet (2017-18) – first read by the Arditti Quartet.
Koan (2016) – for alto saxophone, violin, cello, and marimba, premiered by fellows and faculty at the Cortona Sessions for New Music.
By the Tumtum Tree (2015) – for soprano saxophone, violin, cello, and prepared piano, premiered by fellows and faculty at New Music On the Point.
Portrait (2014-15) – for string quartet, read by the JACK Quartet at the Boston University Center for New Music.
Lenticular (2014) –for oboe, clarinet, and piano, premiered by fellows and faculty at New Music On the Point.
Connected to the Headbone (2013) – for baritone saxophone and bassoon, premiered by students at New England Conservatory Preparatory School.
Orchestral/Large Ensemble Works
Aitake (2017-18) – for orchestra [2(+1 picc.).2.2(+1 Bass cl.).2–126.96.36.199.–3 perc–strings], realized by Bramwell Tovey and the Boston University Symphony Orchestra.
Apsis (2015) – for eleven musicians, read by Sound Icon at the Boston University Center for New Music.
As if the Sand Were Stone (2013) – for orchestra [2.2(+1 E.Hn.).2.2–188.8.131.52–
3 perc–strings], premiered at Jordan Hall by New England Conservatory’s Youth Symphony Orchestra.
Meditation on Icarus (2012) – for orchestra [184.108.40.206–220.127.116.11–timp.–strings], premiered by New England Conservatory’s Junior Repertory Orchestra.